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Tell the Truth and Shame the Devil
Gordon Francis Corbett
Thanks partly to old movies, some people think that
every reporter has "who, what, where, when, why, and how"
engraved on his soul. They think that to keep his job, a reporter
needs only to search hard and to write well.
Unfortunately, a reporter is an employee. To stay
employed, he must satisfy his editor and his publisher. He is not
like the fictional reporters we know from those old black-and-white
movies.
Remember them? An old-movie reporter steps into a
telephone booth, shoves his hat back on his head, picks up the telephone's
receiver, and dials a number. He leans toward the microphone and
says, "Give me the city desk. I've got a story that will crack
this town wide open."
In real life, a publisher might not want his town, or
his country, cracked wide open. So, when a reporter turns in a story
giving the low-down on the highers-up, his publisher may reject it and
warn him to keep quiet. As he likes working, he does just that.
This aspect of journalism rarely sees either film or
print, and unless we keep it in mind, we can never understand why
companies spend serious money to show us what we see or read.
Today, straight reporting is passé. Journalism
professors teach "models" that define what makes stories
"good." Their graduates' work fills our newspapers and our
television screens.
Fortunately, thanks partly to the Internet, their
monopoly is gone.
Those old films told us that bad reporters lie, but
that a good reporter "tells the truth and shames the Devil."
Discerning the difference is our job. When we compare reports from
the several sources available, we will see who gives us lies and who gives
us facts. Armed with that truth, we may yet save our freedom.
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